酒鬼赌棍社会主义犹太救助者好莱坞又爱又恨的编剧《归国女子被打工处的店长》的诞生和它一样的闪回人生I seem to have become more and more a rat in a trap of my own construction, a trap I regularly repair whenever there seems to be danger of an opening that will enable me to escape.塞弗里德的眼睛和加里奥德曼的肚子都快掉出来
冲着jazz来的断断续续看完非爵士爱好者看不下去归国女子被打工处的店长作为电影来说有些潦草了印象最深的也就是转场+开头那句Don’t call my music ‘Jazz’, that’s SOCIAL MUSIC以及Just woke up black, and knew how to play前者真还得是伯克利小留们一生的功课每个人该记在小本儿上爵士不是白人音乐不高雅不小资玩起来