House as a kind of kinship/read and shade/whether the camera(director) having phallus/“the feminization of black gay men and the complex of racist, homophobic, misogynist, and classist constructions that belong to a larger hegemonies of oppression”/vogue dance/phantasmatic reality/justaposition of the “normal” scene and the ball
Dismantling the categories while being bound to them at the same time. They are no spectacles, one deems them so are too privileged to identify with them.